Prussian Blue

I n the film Cabaret , set just prior to World War II, there is a chilling scene where a cherubfaced young boy is framed in a tight close-up as he sings the lilting song “Tomorrow Belongs To Me” at an outdoor German café. The camera pulls back slowly to reveal him in the uniform of the Nazi youth. All but one person in the café joins in the song. 

Today, in the United States, we have the real thing: blonde and blue-eyed Lynx and Lamb Gaede, fraternal twins who perform as the musical group Prussian Blue. They began singing at white supremacist festivals at age nine. At age 11 the little darlings of the xenophobic Kulturkampf attended a rally in matching “Stop Immigration” T-shirts. 

Lynx and Lamb, now 14, told an interviewer that the most important social issue facing the white race was “not having enough white babies born to replace ourselves and generally not having good-quality white people being born. It seems like smart white girls who have good eugenics are more interested in making money in a career or partying than getting married and having a family.” These views are reflected in their tunes. One of their catchiest titles is “Aryan Man Awake.” 

Lynx thinks “immigration is changing our schools because the Mexicans’ behavior is rubbing off on the white kids. Like spray painting and laziness and bad grammar.” Lamb thinks the U.S. should give “nonwhites an area to stay if they were born here and if they haven’t done anything wrong. If they are here illegally or if they moved here then send them back.” 

For several years the Prussian Blue homepage linked to the website of National Vanguard, variously described by watch groups as white supremacist or neo-Nazi. “If you tolerate multiracialism, then your children will suffer and die,” warns Kevin Alfred Strom, founder of National Vanguard, one of several white supremacist groups posing as “white nationalists” who only want equal rights for white people. Their allies and apologists constantly patrol Wikipedia changing the terms “neo-Nazi” and “white supremacist” and “racist” to “white nationalist.” Ken Toole, co-director of the Montana Human Rights Network, sees Prussian Blue as part of a campaign to de-toxify white supremacy, by masking bigotry as “white pride” and using a softer approach as a recruitment tool. 

For groups like National Vanguard, pride is linked to genetic racial nationalism. Strom is angry because, while “Mexican immigration threatens the survival of the White race and White civilization,” most anti-immigrant groups hide behind cowardly platitudes like “overcrowding,” “assimilation,” and “the failure of new immigrants to learn English.” National Vanguard, along with the National Socialist Movement, Volksfront, and similar white supremacist and neo-Nazi groups, has eclipsed the KKK in the role of preserving the precious bloodline of the “white race” in the United States. 

Lynx and Lamb are the poster sisters for the right wing of the anti-immigrant Aryanist revival. One of their “official” websites proclaims: “In a day and age when most bands are working hard to remain within self-imposed limits of Politically Correct Thought, Prussian Blue pushes the envelope. Within the fold of White Nationalist Rock, one of the only true alternatives to the corporate music and recording business, these two little girls have filled thousands of their fans with love and hope for the future.” 

If the White men won’t battle for 
   Life and Race 
The women and children, 
   the Terror will face….