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Chris Spannos's Blog

Web Address: http://www.zcommunications.org/zspace/chrisspannos
Bio: Chris Spannos has had over a decade of experience in self-managed media collectives and also as an activist, organizer, and anti-capitalist. From 1998-2006 he participated in the Redeye collective,... (More)

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Woods Hole & Palestine

By Chris Spannos at Jun 07, 2010


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For over a year, Cinema Politica-Woods Hole has been in discussions with the Woods Hole Community Association-- the group that rents us the Firehouse-- regarding the "concerns" the WHCA has with films regarding the Israeli-Palestinian conflict. 

Given the events surrounding the Free Gaza flotilla (and the local connection, due to the presence of a local woman on board one of the ships), we held a screening of "Occupation 101" on June 4. The following is a letter in response to the WHCA co-presidents' email, questioning why they were not warned of the screening in advance.

June 5, 2010

To the Woods Hole Community Association Board of Directors:

As you are aware, we held a screening of "Occupation 101" at the Firehouse on Friday, June 4. It was one of our most well-attended screenings, with people of all ages filling over 50 seats.

We made the decision to screen this film on Tuesday, given the spotlight on the Israeli-Palestinian conflict following the IDF raid on the Free Gaza flotilla on Monday. As is the case with any documentary screening, Cinema Politica tries to tie in its programming with events in the news. We felt that showing this film would provide critical context for why the boats were attempting to break the Gaza blockade in the first place.

At our last meeting in January, Catherine Bumpus, Steve Junker, Daniel Cojanu and Elise Hugus discussed the WHCA concerns about showing films with a Palestinian perspective. It was our understanding that your board had not figured out what action you would take on the matter, but it was becoming a problem. While Catherine and Steve did not specifically state that we would not be allowed to show documentaries on the subject, it was clear that you preferred us to not show them. Elise and Daniel made clear that censoring films on this one issue would be unacceptable to Cinema Politica's commitment to providing an outlet for independent voices on a variety of human rights and social justice issues.

The conclusion of the meeting was that the WHCA would try to come to some common ground on the matter, and that attending a few screenings would help the board understand what Cinema Politica is all about. Had board members done so, they would have been able to take part in healthy debate following films on a variety of subjects, participated in positive events like the Food, Farms, and Films Festival on April 24, and perhaps been exposed to viewpoints as controversial as the Israeli-Palestinian conflict-for example, about the US government's corruption in Iraq. However, we have yet to see anyone from the WHCA Board at our screenings, save for Jane Vose, a regular attendee. We also never heard from you regarding your decision. In the past eight months we have not shown a single film about Palestine- six months since our discussion.

As for why we did not notify you "well in advance" of this Friday's screening: given that we had not heard back from the Board on its decision, given that its members have not requested to be on our mailing list or attended any screenings, and given the last-minute schedule change, we wonder how "well in advance" we could have made it. Had we notified the Board, we wonder what its response would have been? Would you have told us not to screen the film? Would have you been more likely to attend?

We were gratified that WHCA member Alan Steinbach brought the issue up at the after-film discussion on Friday. As he pointed out, "Occuptation 101" is definitely a one-sided portrayal of life in Palestine, but it does not cross the line into anything close to hate speech. As another audience member pointed out, he felt no need to hear "the other side" in this film because that is the mainstream view in the American media. Almost every documentary film has a bias, but audiences draw on their own experiences and intellect to make up their minds for themselves. Several people said it was the first time they had been exposed to what life is like for the average Palestinian-poverty, house demolitions, violence, and corrupt leadership. That does not make them suddenly anti-Israel, but perhaps will come to mind when they read the next article about another senseless round of killing in the Middle East. And yes, some in the audience were Jewish-one woman who had traveled to Israel last year reported that Israelis are much more aware and critical of the human rights situation in Palestine than we are in the US. From our point of view, no matter what conclusions people drew from the film, the discussion was varied and productive.

We certainly understand the sensitive nature of the Israeli-Palestinian conflict, and the deep emotional response it evokes in people on both sides of the fence. But pretending that it does not exist because it makes some people feel uncomfortable is no solution. Your Board's doubt as to whether the Firehouse is an appropriate venue to debate this issue underlines a severe breakdown of democratic principles-precisely what has caused this conflict to go on for so long.

In the course of the past year and a half, we at Cinema Politica have at times questioned our purpose in holding these screenings. Do they make any difference to people? Is our presence in the community appreciated? Wouldn't it be easier to spend Friday nights focused on beer and popcorn and than to have friction with our neighbors? Last night's screening gave us affirmation that our efforts are not in vain. We have been told time and again that Cinema Politica fills a void for people craving intellectual stimulation and community dialogue. Should the WHCA be compelled to provide the venue? Certainly not. However, we would like to point out the following:

*The Firehouse is owned by the Town of Falmouth and leased by the WHCA. That makes Cinema Politica a sub-lessee from the Town.

*Restricting our group from offering public, by-donation screenings only regarding the Israeli-Palestinian conflict raises a host of freedom of speech issues.

*There will be considerable outcry from the community if we are not allowed to rent this space due to this issue.

We are willing to work with you on the matter, but we are not sure what more can be done from our end. We hope the Board is able to come to terms with its position and the decision it will ultimately have to make. We would appreciate hearing back from you in writing.

Sincerely,

Elise Hugus, Chris Spannos, Joe Sullivan Lafe Coppola, Daniel Cojanu

S2-picassoboywithpip-2

Art&censorship

By M M, Jeremy at Jul 22, 2010 12:13 PM

I forgot another anecdote which bears more relation to your letter. You may have heard about it as surprisingly it made it to the US media!

We have a small chain of independent cinemas in France called Utopia. Following the flotilla hijack, Utopia decided to de-programme (until a later date) a light-hearted Israeli comedy titled "Five hours from Paris" and to screen "Rachel" by Morrocan-French-Israeli cineast Simone Bitton. The CRIF (French Representative Council of Jewish Institutions), a very powerful Zionist lobby in France, reacted very quickly, calling it "censroship". Never mind that Utopia choses it's own programme independently from any outside body (similarly to most cinemas, presumeably); never mind that Israeli and Palestinian films rarely make it onto any French screen outside Utopia; never mind that the film which replaced the "censored" film is also made by an Israeli; never mind that Utopia was ardently defended by Israeli cineast Eyal Sivan (oh, of course, his work is "Jewish anti-semitism", according to Alain Finkielkraut). In fact the reaction of the CRIF is unsurprising. It is in its self akin to censorship as it aims at muzzling any dissent from the official line regardin Israel and Zionism. What is more frustrating (Oy gewalt!) is the readiness of the 'public' media to adopt unquestionably the fallacious arguments of the Zionist lobby. The main radio station, France Inter, mentioned the affair, apparently relaying only the CRIF's point-of -view. When Utopia (and/or its supporters) complained, France Inter dedicated a whole programme to the affair. I only heard the end of it, but it felt like the Utopia representative (president?) was cornered by members of the cultural elite defending the 'censorship' argument, and at the very end, at the insistence of Utopia, the programme called up Eyal Sivan, giving him under five minutes to present his point of view and support of Utopia. A farce!

On a side note, the French public seems to be waking up to the real censorship practiced by our media and elites, thanks (!) mainly to a recent affair in which two comedians were fired from France Inter after they stepped over the line of tolerance in mocking our "dear leaders".

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S2-picassoboywithpip-2

Two sides?

By M M, Jeremy at Jul 22, 2010 09:09 AM

"As he pointed out, "Occuptation 101" is definitely a one-sided portrayal of life in Palestine, but it does not cross the line into anything close to hate speech."

Why is Palestine probably the only conflict where there has to be "two sides". No-one claimed we had to understand the Afrikaner's side, the Chinese side regarding Tibet (save a minority of Chinese and Afrikaners probably who are payed little heed). I don't think I've even heard anyone say we should understand "the other side" in the occupation of Afghanistan or Irak.

My city, Toulouse is twinned with Tel-Aviv. Not only the city, but the region has close economic and technological ties with Israel. Our new socialist administration, wishing to be "fair and balanced" has decided to put in place a "priveledged relationship" with Ramallah. Regardless of the hypocrisy of the choice (Ramallah is the seat of the collaborationist PA government - Hebron would be a much more courageous choice), what balance? The mayor put the argument in a written response to my Israeli partner and I (and others since the letter was reproduced many times!) after we wrote in protest against the rental of municipal space for the Yom Haatzmaout (Israeli Independence Day) celebrations with the presence at that event of IDF generals. Basically, we shouldn't worry about generals of an occupation army being hosted in city-owned space because our city has a "relationship" with Ramallah...now, the Palestine CIrcus School is going to present it's show, Behind The Wall at the Lido, Toulouse's circus school. The city government being a partner of the Lido (in its self a positive thing) is advertising this even on its web site and reaping the good publicity. The irony and cynicism of supporting a show by members of an occupied people protesting the occupation while at the same time actively collaborating with the occupier is obviously lost on the administration. The frustration is sometimes unbearable!

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583016

Words of support

By Cooper, Curtis at Jun 09, 2010 01:07 AM

Eloquent letter, which pushes the envelope of comfort for the community association board.  Worthy of replication by activists in other places!

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