Recent work on exhibition


The Effect of Snowmelt on Past Cultural Landscapes: Gyeongsangnam-do creates Gyeongsangbuk-do weather (Daegu weather report), 2011, collagraph with digital chin collé, polyester lithograph, relief embellishment, 38 x 28 cm, edition of 15, printed at Sev Shoon Arts Center on display

On Turtle Island:

[forthcoming] Petroleum Paradox: For Better or For Worse, April 6, 2013 to May 18, 2013.
Opening Reception:  Sunday afternoon, April 14, 2013
Narrows Center for the Arts, 16 Anawan Street, Fall River MA 02721

Petroleum Paradox: For Better or For Worse, May 24 to June 23, 2012
Denise Bibro Fine Art, 529 West 20th Street, New York NY, juried by Eleanor Heartney

In the region:

North South East West, group exhibition new works on exhibition at University House Wallingford, 4400 Stone Way N, Seattle WA 98103, October 2011--February 2012

In June 2011, I visited  Korea to exhibit three prints from this edition (about the adverse effects of climate change on glaciers in North Cascades National Park) in three spaces, present a paper (see left) and tour cultural heritage sites including contemporary art and historical exhibits.



The Effect of Snowmelt on Past Cultural Landscapes: Hozomeen to Ruby Mountain (1976 map), collagraph, chine collé with digital media and acrylic on watercolor paper, 2011, edition of 4, 51 x 152 cm

Exhibitions

"Korean American Russian Women Artists: Cultural Sensibilities V: Great Honor to Madeline Meza Janovec," Kyungbok University Art Museum, Daegu, Korea, June 16-23, 2011
"Korean American Rusian Women Artists: Cultural Sensibilities," Gallery Row, Gyeongju, Korea, June 20-25, 2011
"International Women's Art Exhibition: Korean, American, Russian Women Artists," Gwangju Museum of Art Annex Geumnamro Gallery, Gwangju, Korea, June 21-30, 2011

The latest compact disk recording of Medieval Women's Choir (Seattle) is now available, featuring my artwork,

A New Song In Praise of Peace

acrylic media on board, 40.5 x 50.7 cm, 2009

Inspired by the processional banners and new art approaches of the Italian Renaissance this painting was commissioned by Margriet Tindemans for the Medieval Women’s Choir compact disk, Laude Novella. The praise songs of St. Francis of Assisi, and works by Margriet Tindemans and Peter Siebert for the choir invite reflection on our environment and its evolution as a dynamic system. Through the painting process of acrylic media on board, I have been experimenting with a textured material which mimics ceramic crackle glaze. To incorporate movement and drama within a temporal awareness, I chose yellow and azure backgrounds, colors which appear in the banners and paintings of the quattracento. I also use mineral pigments which, through their iridescence, refer to the geology and biochemisty of our world. These materials are somewhat fragile but allow complexity in both surface texture and background variation, inviting comparison with the diversity and interdependency of ecosystems.

Resistance/Resilience: Pumplin Mountain/Diablo Dam Crows and Trout, acrylic and mixed media on paper, 60x86cm, @ 2003 Alice Dubiel  Planet Art

Join the Vashon art community and geologists who make art (or artists who are amateur naturalists). GeoSapiens is centered on incorporating geologic principles or features in art; some incorporate geology to make statements regarding an issue of relevance to society; others celebrate geologic thought or features. 

opening reception: November 6, 6-9pm  exhibition closes: November 29 location: Two Wall Gallery, 17600 Vashon Hwy SW

see my statement about this work: Planet Art Studio

 

Re: Seeding Gaia: Flow, 1996, acrylic on paper, seen above, will appear in 

Feminist Art Exhibition

March 9-May 8, 2009

A reflective timeline of American art activity addressing unresolved and contemporary feminist issues.

The Gallery, Tacoma Community College

6501 South 19th Street

Tacoma  WA 98466

Gallery Hours 10am-5pm

for information: 253-460-4306